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Sunday, February 8, 2015

Monster of the Week: Taking Notes In & Out of Class, and How to Know What Parts of Your Reading You Should Actually Do


     As a history major, I'm doing a lot of reading in my college career. It's also especially dense. I don't know about you guys, but I personally need me-time, and reading all of my texts, synthesizing them, and being generally prepared for class the next day sucks up a lot of that time. It's also frequently hard to suss out the main points of my lectures when looking back on my scribbly notes a month later. Enter, my note-taking and skimming strategies!

IN CLASS

     My note-taking process during class developed just this semester, and is a product of being too lazy to do Cornell Notes and having a lot of space in the margins of my notebooks (11 x 9 wireless two subject notebooks from Cornell School Supplies, Inc.). 
I personally really like this method because it allows me to organize the major points my professors hit in class and which text was discussed (if any). My pages look something like this (sorry for the poor quality) : 




TITLE:
     The date-as-title is optional, I just hate not having a title on my notes and it's hard to know what to title a page before actually listening to the lecture. 

STRUCTURE OF MAIN PAGE:
     The structure of the main page is basically in an outline format, but instead of using numbers and letters I alternate between bullets and dashes. The most important piece of this, in my opinion, is the titling. By doing this, I think it makes sorting out what the hell is going on much better, and makes referencing easier. Usually, one of these titles will be the name of whatever text is discussed, just "lecture" for general concepts, and then sometimes "group work" if your professor is especially inclined to make you undergo that hardship.

MARGIN/"BIG IDEAS":
     The margin section I use as a way to consciously be thinking about what the "main idea" of each part of the lecture is. This doesn't work for all of my classes (cough cough Astronomy) but I've taken to putting little tidbits and formulas there instead. For Humanities classes, however, I think this works really well. This way, when going back over your notes, it's easier to decide if that page is important to what you're studying for or writing about.

OUTSIDE OF CLASS--READINGS

     For homework, I'm frequently reading either hard copies of books or PDFs, for which I've developed this technique. 

     They both, however, involve HIGHLIGHTING. I love highlighting. It's amazing. Just do it. 



It's easier than underlining, but be sure to have a pen or pencil on hand to star important passages. 
Knowing what to highlight is a different story though, which brings us to the base of the techniques--learning how to skim/how to pick out what is important in a text. 
Last semester, one of my professors passed out worksheets, claiming that her students that have moved on will email her from graduate school asking for it. This is an abbreviated version of it, because the sheet is used primarily to figure out whether or not a source will be a useful research tool. The technique is called "gutting" a book, and while it sounds graphic, it's not that bad. 


1. Technically you need to do this step in class, but it's good for guiding your reading. Usually, when discussing future homework, a professor will give you a few questions to consider for next time. It sounds tedious, but WRITE THESE DOWN. If a professor is nicer, they might also include discussion questions on the syllabus. Use these to help make Step 2 easier. 

2. In order to figure out where the important bits of a book are, you need to understand its structure. This involves familiarizing yourself with the table of contents and index (if the text has one). While more useful if you're studying or rushing to read the whole book in one night so you can write an essay about it, this is good for knowing what to pick out if you're given huge sections/multiple chapters of reading. On a smaller scale, subheadings that break up chapters are also helpful.

3. Once you know which parts you think you should read, you can either actually read them, or do this next step: read the first and last sentences of every paragraph in the sections you're focusing on. Authors usually put their primary points here, and usually act as a summary of the paragraph all on their own, or, in the case of a final sentence, an explanation of how this paragraph relates to the next.

4. Highlight things that are especially grabbing, answer questions from Step 1, or just seem important! Try not to highlight big chunks, however, or else when you're going back over that page in class your eyes will glaze over and it will all have been for naught.

5. Here's where you exercise your own judgement-- do any of the paragraphs you're reading the "bookends" of seem especially relevant? Read that paragraph.

     (DO THIS WHILE YOU'RE READING!) In order to snag as many participation points as you can, you need to have something to say in class! Grab a big stick note or an index card and keep it next to you, or tucked in the back of your book while you read. When new, relevant subheadings come up, or the important paragraphs mentioned in Step 5 appear, write down their page numbers and basic subjects on the note card or sticky note. Do the same with questions! If you have questions, professors want to hear them--it shows that you did the reading and were thinking critically too. 

I hope I've armed you with at least a little bit of valuable knowledge to make it through this semester. I believe in us.
Unforch, I don't have a cure for procrastination.
photo from pixshark.com

xx,

Monday, January 26, 2015

The Bitch Is Back: Apologies & My Drugstore Favorites


Hey, friends! I've been absent for quite some time, haven't I? I don't really have any excuses other than laziness. But I'm back now, and I'm determined to do at least one post a week.
Here we go!


MY DRUGSTORE FAVES

I love spending less money than I have to, especially for makeup, so naturally I love the drugstore. 

EYES
  • Maybelline Define-A-Line Eyeliner in Spiced Chocolate: this liner is peeeerfect for smudging.
  • Wet n Wild Coloricon Eye and Brow Liner in Mink Brown (I think they recently changed the name of this color to just Dark Brown): I love using this on both my brows and my eyes, and for 50 cents it's a wonderful product.
  • NYX matte eyeshadow singles in Over The Taupe and Coquette: NYX is my HG drugstore brand. I love all of their single shadows, especially "Sensual" but these are lovely mattes, and Over The Taupe is also a great brow product.
  • Maybelline 24-Hour Color Tattoo in Tough As Taupe: A cool-toned substitute for ABH Dipbrows.
  • NYX Brow Cake in Taupe/Ash: A great starter brow kit, especially because it comes with an awesome brow wax!
  • L'Oreal Infallible 24-Hour Eyeshadow in Bronzed Taupe: This eyeshadow packs such a metallic punch, especially when applied with a finger. It's a gorgeous brown-gold, and one of my go-to's for when I don't want to spend time on a complex eyeshadow look. 
  • Wet n Wild Megaliner Liquid Eyeliner: This liner is amazing. I ran out and have since tried a few others, but this one is still my favorite. It lasts forever and is so precise. 
(Can you tell how much I love taupe?)



LIPS

  • Rimmel 1000 Kisses Lipliner in Wine: This lipliner lasts forever, is perfectly matte, and can be used on its own. 
  • Burt's Bees Matte Lip Crayon in Redwood Forest: This is a new favorite! It's again matte, and a universally flattering red.
  • Wet n Wild Matte Lipstick in Cherry Bomb: This color is supposed to be a fairly close dupe to MAC's Diva, and while I haven't tried Diva I can vouch for its gorgeous deep plummy red shade and long-lasting power.
  • Rimmel Kate Moss Lipstick in 107: Kate Moss makes some nice lipstick. This one is a favorite to just grab and go, and it doesn't feel too flaky for being matte.
  • Burt's Bees Tinted Lip Balm in Red Dahlia: I've been a fan of this for a year or two now, and I must say, it's perfect for when you're just not sure what your lips need. They make me feel like I don't look dead, but I don't look overdone. Also the color is very "snow white ate some berries and is wandering around the forest," which I love. 



FACE

  • NYX Powder Blush in Taupe: A really nice cool toned brown, this powder is perfect for contouring cheekbones, especially for those with cool undertones. 
  • Wet n Wild & Fergie Blush in Rose Champagne Glow: I bought this on a whim, but haven't stopped using it since. It's HUGE for a blush compact, and is the most lovely highlighter when paired with Benefit's Hervana. 
  • Physician's Formula Mineral Wear Mineral Correcting Powder in Translucent: This is my second compact of this stuff--it's a great shade for me and I feel like the color correcting swirl (which you can't see very well in the picture) adds an extra boost. 
  • Covergirl Clean Liquid Foundation for Sensitive Skin in Pure Ivory: This was one of my first liquid foundations, and I think it still holds up compared to the others I've tried. It's a pretty good color match for my ghostly skin, and has a really nice satin finish.
  • NYX HD Photogenic Concealer in 02-Fair: I've bought about six tubes of this stuff. I have so much trouble finding concealer that matches, and this is PERFECT. The only thing that gets on my nerves is that it runs out really fast.
  • Garnier Anti-Puff Eye Roller: Not necessarily makeup, but for someone who gets puffy eyes sporadically, I like having it on hand. Just rolling it across my eyelids feels like it helps. 

And that's about it! Thanks for bearing with me while I screwed around for months!
xx,